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Downsampled video is usually cleaner than when shot directly. In particular, aliasing and staircasing of diagonals is greatly reduced in the sampling process. I notices this when reducing HD to SD, and even today shooting 1080p on a 4K camera. That said, native 4K and up looks pretty good, because aliasing is almost too small to notice, even on a 5K monitor.
Blackmagic URSA Mini Pro B4 Mount
12K is 4 times larger than 4K, which means you can do a 4x punch-in when finishing in 4K. That’s enough to give you a medium-wide shot, medium shot and close up all in one. The camera comes with an Arri PL mount, but this is user-changeable. We used it with the optional Canon EF mount which just bolts right on without any need for shims or other faff. We tried a set of Canon CN-E cine primes and a Sigma full-frame cine zoom which were perfect for the job.
'Soul of Storm' shot with Blackmagic Design cameras - Panorama Audiovisual
'Soul of Storm' shot with Blackmagic Design cameras.
Posted: Tue, 16 Jan 2024 08:00:00 GMT [source]
The world’s most intuitive and fastest to use digital film camera!
He not only possesses a deep understanding of how AI can enhance production capabilities and a strong ethical compass regarding its application. Our conversation centered around the exciting new features in Maxon One and the company's commitment to empowering creators of all levels. Editors can now leverage the power of AI for multi-source editing and even edit based on source clip transcriptions. Audio also gets a major upgrade, with Fairlight's IntelliTrack for AI-powered audio panning and a suite of new FX for remixing music, separating dialogue, and even auto-leveling background tracks.
Blackmagic URSA Viewfinder
There is a bit of relief because Blackmagic Design does you a solid and includes the 300 dollar DaVinci Resolve Studio for free. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Click here to contact a sales representative and request a media kit.
A viewfinder, battery, and handle are all add-ons that can add hundreds or thousands to the price. That can make cameras like Canon’s C200, at $6,500 with viewfinder and battery included, more affordable. But the Ursa has a hardware edge, with 15 stops of advertised dynamic range compared to the Canon’s 13, higher frame rates, and a more versatile RAW format.
The Panasonic Lumix S5II launched the second generation of Panasonic’s full-frame mirrorless camera system and was the first Panasonic to feature phase detect autofocus. As our review reveals, it’s a heck of an all-around camera for both still and video shooters. So you will use this Blackmagic to do the next big photoshoot? Or carry it around on the next multiday hiking trip with its easy 2.5kg body weight. Naturally, it needs a power source, doesn't come with batteries. Or that 12K resolution @ APS-C means it will need light.
Monitor
This smaller sensor is packed with tiny photosites, which may not have the best high-ISO performance, but the highlight roll-off and colour gradation are much more organic and like film. The Blackmagic URSA Mini Pro EF Mount lets you use high quality Canon compatible photo lenses with your URSA Mini Pro camera. Custom V-mount battery plate with D-tap +12V regulated output from camera. Actual rates are dependent on the image being captured. Constant Quality footage with extremely high or low frequency detail can fall outside of the average ranges quoted above. Festival Winner was shot with URSA Mini Pro 12K and completed post production using DaVinci Resolve Studio.
We found the ND control to be the most used and functions as you’d expect. This isn’t really a camera for low light, and with its solid metal body and lack of decent AF, it’s certainly not for run-and-gun documentary filmmakers. While the fashion is for ever-larger sensors, Blackmagic found the best way for ultimate, filmic quality is to use a very high resolution 12K sensor in the smaller Super35mm CMOS size.
The Blackmagic Design URSA Mini Pro 12K comes with a Super 35mm CMOS sensor with an effective resolution of 12,288 x 6,480, or roughly 79.6 megapixels. It advertises 14 stops of dynamic range and a native ISO of 800. It records in 12-bit Blackmagic RAW (more on the recording formats later). It can record 12K Anamorphic up to 75fps and windowed DCI 4K up to 240fps. It has two 3-pin XLR jacks and a touchscreen interface built-in. The camera body weighs 5.62 pounds or 2.55 kg and currently retails for $5995.
Apart from the 12K logo and the USB-C socket being moved to the back, the camera itself is identical to the old 4.6K Ursa Mini Pro G2. The body feels like it would take you through a warzone and back again, as it is very solid. At the back is a plate to take the big V-Lock style batteries. There is a good viewfinder for use on the shoulder, and the screen is bright for use on a tripod.
That was to make a camera capable of the very best 4K footage that has a very filmic look instead of looking too digital. Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
URSA Mini Pro can apply 3D LUTs independently to the LCD touchscreen, the front SDI (viewfinder) and main SDI allowing them to be used for high end feature film work. I think the best feature of the camera is the price point. With the recent price drop, getting all these features and capabilities in a camera for less than $6,000 is great value for the money. There are, of course, several other options for cinema cameras. Some of those options have definite advantages over the URSA Mini Pro 12K. I think for a budget-conscious filmmaker looking to get the most bang for his or her buck, the URSA Mini Pro 12K is a terrific value.
2 x CFast 2.0 card slots, 2 x SD UHS-II card slots, 1 x USB-C 3.1 Gen 2 expansion port with power delivery for recording to external media. Optional side hand controller for URSA Mini Pro with record start/stop, iris and focus buttons built in. Standard rosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini Shoulder Kit. The Blackmagic URSA Mini Pro EF Mount kit is available if you ever need a spare EF lens mount in addition to the original EF that comes with your URSA Mini Pro. Set your recording options to estimate data rates and record times.
The latest iteration of Fujifilm’s X100 camera started shipping on Wednesday. Footage shot at ISO 3,200 can look grainy, especially if you try to lift the shadows in post, but at no point did I think it looked bad. It is what it is, and you should try to stick to lower ISOs when possible, but I appreciated having that extra stop when I needed it. You have to first decide which record button to press — there are, like, four of them. But once you’ve settled on your favorite, there’s nothing else in the way of living out your directorial dreams.
It shoots incredible 8K 360° videos, which allows you to pick any angle you want after filming. It's like having a time machine for your shots–letting you point the camera wherever you want, whenever you want, after the fact. Even after you reframe everything, the footage stays crisp and clear thanks to the super high resolution. The camera would use the larger LPL and Hasselblad lens mounts. In addition to the monitor's many other features, Blackmagic has included support for several languages, including English, Spanish, German, Chinese, Russian, Japanese and more. This is joined by a new film curve feature for Blackmagic Generation 5 Color Science that takes advantage of the 12K sensor color data.
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